
Christopher Shipman
Crawl Toward the Shore
Lines from Jaws are stuck
in my head. Chief Brody staring out
at the Atlantic. Dirty glass dim with dawn.
His wife Ellen lying in bed
behind him, asking
if he’s seen their kids. He tells her
they must be in the back yard. On the island,
she says, it’s pronounced
yahd. Since the ferry brought my family
to North Haven, ME
I’ve listened for the sound
of that accent—a siren’s song.
Back home, my father’s brain
is bleeding. To not throw myself head-first
over the stern of a boat
into the open ocean of that news,
I sit alone in a booth by the row of windows
jotting down scraps
of island accents at the Inn & Market
where my brother-in-law
is one of the few chefs on the island.
With enough coffee I conjure up
the courage to talk to Rex, a lifelong islander.
Next day he takes my wife and me
on a tour in his truck.
We pass Pulpit Harbor, get a glimpse
of the massive osprey nest.
We see Ministers Creek, rolling fields, boats
anchored to the fog mull,
the bladderwrack we’d already seen
hiding somewhere below.
After three hours we know
about the Wabanaki. We know which
prominent families are actually from away.
But we also hear Rex say
our nephew Acer is some smaht.
We know Rex’s history too.
From stories about wasps. About a runaway
lawnmower. About a terrier who
ate 100 hormone pills.
We know he didn’t have kids and we know
about his wife Linda.
For days we slip over jagged rocks—crawl
toward the shore of every beach
we visit. Time is a mouth
of sharp teeth. All of us victims.
All of us lost or losing. We’re always
going to need a bigger boat.
Even my 12-year-old daughter knows this.
She’s already seen Jaws three times.
Back home, my father’s brain
won’t stop bleeding.
My wife sat beside her father’s bed
until he died. My mother-in-law
by the patio window, imagines her husband
playing in the back yard
with their kids, decades before cancer
swallowed his body whole.
I remember a story Rex told.
Cancer treatment on the mainland.
Someone vaguely familiar
asked him if he knew a name. Yes, she was
my mother, Rex said.
They both agreed she baked
the best chocolate cake they ever ate.
Then we passed a house
where Rex said a couple had split,
leaving their two young kids. I don’t know
what’s wrong with the world.
I think again about my daughter—how she
would’ve gone on our island trek
with Rex is she wasn’t sick.
I think about my father
alone in a hospital bed. I think about
my mother-in-law. I think
about Rex. All of us stuck beside windows
watching shadows shark by,
trying for as long as possible to love
every single one of them.
Christopher Shipman lives in Greensboro, NC, where he teaches literature & creative writing at New Garden Friends School & plays drums in The Goodbye Horses. His work appears in journals such as Fence, New Ohio Review, New Orleans Review, Poetry, Salt Hill, Sixth Finch, & The Southern Review, among many others. His experimental play "Metaphysique D’ Ephemera" has been staged at four universities & he is the author or coauthor of six books & four chapbooks. "Mortar," his most recent poetry collection, won the 2024 Brick Road Poetry Prize. More at www.cshipmanwriting.com