![the_good_life.jpg](https://static.wixstatic.com/media/6480d1_dae4b140599b4b34a597c14a00227ab0~mv2.jpg/v1/crop/x_0,y_939,w_3420,h_328/fill/w_980,h_94,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/the_good_life.jpg)
ISSUE 5
K.B.E.
Aubade
​
:: flicking obsidian rings :: southern palisades ::
:: paleozoic marble :: above manix lake fossils ::
:: a zebratail outruns a red racer :: avoiding carnal hypnosis ::
:: an unblinking nihilist ::
:: white bursage gates :: tarragon-sage cologne ::
:: latching to the squirm :: those devious rings ::
:: the teal rogue escapes ::
:: to a chipped june hourglass :: so warm it could swelter ::
:: petroglyphs of hunters :: he nods away ::
:: in a hooded cavern :: fracture planes regenerate ::
:: as he reaches for a fire ant :: into the fangs of a sidewinder ::
:: lunging from loose earth :: raised supraocular visors ::
:: pretty beige armor :: specks of grain bronzer ::
:: she feasts then gallops :: past hills that layer :: lizards that scatter ::
:: into a shallow rock crevice :: pious rattling mantra ::
:: coiling to the sounds of prey :: footsteps from a damsel wondering ::
:: what diamond eyes :: what easy time ::
:: watch carefully, cleopatra ::
​
​
​
Uoroboros
A rattle in the cave. You pull away.
Turn to the woman on her knees.
She sands the limestone and scrubs the little hills clean.
A fire at some stranger’s feet,
he breathes too close. Pray—
No, he won’t speak. He tears from an open book.
A hoard of thistle and clover and page after page:
the letters they kept alive.
You have a knife. Lift
the brush. I don’t want my part—
Here in the house of well and coin.
A sunset in an egg. You lunge inside.
Oh, Tiresias,
hitting the snakes a second time.
​
​
​
​
Kiley Egan is an eco-poet dedicated to creating dark-romantic images that come alive in bizarre narratives, while centering in on Desert landscapes. She currently writes for an art center in Northern California.