
ISSUE 11
Ken Holland
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Soho in the Rain
Hamiet Bluiett on the edge of his baritone sax,
dissonance so brutal it beggars beauty, recreates
that beauty after its own image. Some sit
swirling their scotches to the rhythm between the notes.
Outside the club, the clouds have broken formation.
Taxis sluice through guttered water, the water
reassembling into oiled puddles in which streetlamps
fight for their own reflection. It’s been just a year
since you sought to take your own life. And here,
on this evening, celebration of that failure.
The sidewalks flex to the steel syncopation of a passing subway,
steam rising as pockets of thin rain sublimate
from the heat held in asphalt. There’s an odd timbre
to the night: people laughing with voices held to whispers,
horns muted by the sultry air. And slipping through it all,
you and I, not a word passing between us.​​
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Ken Holland has been widely published in journals including Rattle, Tulane Review, Tupelo Quarterly, and Tar River Poetry. Forthcoming in Atlanta Review and San Pedro River Review, among others. His work has been nominated three times for the Pushcart Prize. He placed first in the 2022 New Ohio Review poetry contest (judged by Kim Addonizio), finalist in the 2022 Lascaux Prize in Poetry and the 2024 Concrete Wolf Chapbook contest. More at kenhollandpoet.com