Sarah Elkins
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Crossing
The possum,
o-less in its lowly state,
no vanity in its topaz eyes
adorned now with flies,
dead here in the hairpin turn
of the road—albeit a hairpin
opened like a gator’s mouth—
has finished its good work.
If the gator were a dead one
hiding in the blind bluff of a road
and not a hairpin which is not
a hairpin but a turn in the road
with a possum on its shoulder,
the gator’s eighty-some teeth would become
eighty-some talismans in the hands of men
whose voices, resonant with pride,
would story the teeth
back into ferocity
to borrow as their own.
But the possum, its belly full
on the black grain of some five
thousand ticks, smiles gruesomely,
its fifty teeth held for now
to a fine jawbone. No one
is taking any jewels
from this gentle mouth.
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Brain Food​​​​​​
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I don’t mind
how the spine
of the sardine
pulverizes
between
my tongue
and the roof
of my mouth.
When the thread
of intestine
slides into
the gap
of my teeth,
I don’t think
of the plankton
still encased
there, or the
inevitability
of the anus.
I don’t wonder
about gender
as I swallow
gonad or ovary.
I lay each body
on a cracker.
Every thought
is an oily
electric fish
leaping
synapse
to synapse.
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Sarah Elkins lives in southern West Virginia. Her work has appeared in Painted Bride Quarterly, Quarterly West, Baltimore Review, CALYX Journal, and elsewhere. Featured in Verse Daily and twice nominated for a Pushcart Prize, Sarah holds an MFA from Pacific University. Find her at SarahElkins.com.
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